Describe what you're selling. Get back a scripted, scored, captioned video — with a presenter on camera saying your words.
60 credits free. No card. Build a whole ad and watch it back before you decide.
A generator gives you a picture. An editor gives you a timeline and expects footage. Somewhere between the two sits a week of your life and an invoice.
Ask for three angles and you get three genuinely different openings — proof first, the problem, a straight offer — not one idea with the adjectives swapped.
Pick the one that survives being read aloud.
Every scene gets its own art direction, its own line of narration, and a picture generated to match. Lock a face and the same person appears in every shot.
A jingle is written to sit underneath, and the cuts move onto its beat.
Upload one photograph. That face is animated speaking your script — an exact likeness, because nothing redraws them.
Then it renders. Captions burned in, thirty seconds meaning thirty seconds, in every format you need.
One photograph becomes a person speaking your script. Lock that face and they stay recognisable across every scene — or animate the photo directly and the likeness is exact.
The tempo is measured, not guessed, and every scene boundary snaps to the grid. Cuts landing on the beat rather than near it is most of what makes a spot feel deliberate.
9:16, 4:5, 1:1 and 16:9 from one timeline — with the type repositioned for each, not letterboxed into a strip. And exact durations, because platforms reject 31.4 seconds.
Every plan includes the whole studio — script, images, voice, music, presenter, captions and render. What changes is how much you make and whether you walk out with it.
A top-up when a month runs short. No subscription, never expires, stacks on any plan.
A 60-second ad with a presenter costs about 85 credits. A simple 30-second spot is nearer 45.
An H.264 MP4 with the narration, music bed and burned-in captions already mixed — the file you upload straight to a platform. Not a project you still have to finish somewhere else. You can also download the caption file separately if a platform wants it, and the exact FFmpeg command if you'd rather re-encode yourself.
No. The pictures are generated from the brief, the voice is generated from the script, the music is written to order. For a presenter you need one photograph of a face — a clear headshot is enough.
One you have the right to use: your own, an employee who's agreed, or licensed stock talent. Don't upload someone who hasn't consented. The tool won't stop you, and that's exactly why it's on you.
Because ads aren't the same size. Credits meter the steps that cost real money — writing, images, narration, music, the presenter, the render. A short spot with three scenes costs a fraction of a 60-second one with a presenter, and you shouldn't pay the same for both. Failed work is refunded automatically.
Because the free tier is generous where it counts — you get the whole studio and sixty credits, enough to build a real ad and watch it back. Once you've seen it work, the file is what you're paying for. It seemed more honest than a locked door on the way in or a fourteen-day clock.
Any time, from your account. Credits you've already bought or been granted stay yours until spent — a cancellation doesn't confiscate them.
Yes, and specifically: when a client approves a cut, the copy that earned it is promoted in your brand memory. When they ask for a change, their words are kept verbatim. The tenth ad is written knowing what the first nine learned.
MelonSeed Technology Inc., a ClipOpera Tech product. If something's broken or you want to talk to a person, call 800-515-7730.
Sixty credits, no card, no clock. Build a whole ad and watch it back before you decide anything.